Invasive Species to Avoid When Foraging by Becky Feasby of Prairie Girl Flowers

Thank you so much to Becky Feasby for this informative post. What a great read to follow up with my recent chat with Becky on The Flower Podcast. Listen to our episode featured at the bottom of the page.

—Scott Shepherd

‘Tis the season, it seems, for foraging in search of the perfect dried crispy bits or other special specimens for wreaths, bouquets, or installations. But heading off on your searches requires an understanding of ethical foraging principles and an intimate knowledge of invasive species in your area.

Harvesting invasive species is a big no-no. The issues can vary, but they come down two main areas of concern: economic and environmental.

The economic impacts of invasive species include things such as management costs (which can include using toxic pesticides to control their spread), monitoring programs, reduced crop yields for farmers, and impacts to international trade and tariffs. The environmental impacts of invasive species - although harder to quantify - can be significantly more devastating. Reduced biodiversity, loss of native species, and changes to ecosystem services can spell disaster for the environment. Many invasive species invade forest areas and displace native species, altering soil conditions and wreaking havoc on important ecosystem functions - increasing flooding, reducing resiliency to climate change, and increasing soil erosion.

So beware - clipping little bits of this and that can have far-reaching implications.

Invasives vary by region, so it’s important to consult your local authorities to find out what is and isn’t ok to harvest. But here are a few to really beware of:


Chuck Bargeron, University of Georgia, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.

Japanese Honeysuckle (Lonicera japonica)

Japanese honeysuckle has few natural enemies which allows it to spread widely and out-compete native plant species. Dense growths of honeysuckle covering vegetation can gradually kill plants by blocking sunlight from reaching their leaves. Vigorous root competition also helps Japanese honeysuckle spread and displace neighboring native vegetation.

 

James H. Miller, USDA Forest Service, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.

Chinese Tallowtree (Triadica sebifera)

Tallotrees grow into fully mature trees in just three years, far outpacing native maples, oaks, cypress and elms. Their leaves are toxic to some animals, and they cast off litter that changes soil chemistry and disadvantages competitors. Chinese tallowtree is a serious threat because of its ability to invade high quality, undisturbed forests.

Butterfly Bush (Buddleja davidii)

Buddleja davidii readily invades disturbed sites and riparian areas (riparian = near water sources such as rivers and streams). Although butterflies will use this plant as a nectar source their larvae cannot survive on it. By replacing native larval food source plants butterflybush can have a negative impact on wildlife.


Steve Dewey, Utah State University, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.

Common Tansy (Tanacetum vulgare)

Tansy invades disturbed areas, ditch banks and riparian areas and replaces important native plants through aggressive spreading. Can be toxic if animals or people ingest large amounts of it.


Baby’s Breath (Gypsophila paniculata)

An escaped ornamental that has become extremely invasive in many parts of North America. When it develops seeds and matures, the plant breaks off and rolls long distances to spread across the landscape (a bit like tumbleweed) – each plant has the ability to spread over 10,000 seeds!

Steve Dewey, Utah State University, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.


John D. Byrd, Mississippi State University, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.

Purple Loosestrife (Lythrum salicaria)

Purple loosestrife can become the dominant plant species in wetlands. One plant can produce as many as 2 million wind- dispersed seeds per year and underground stems grow at a rate of 1 foot per year.


The bottom line here is that if you don’t know what you are cutting, don’t cut anything. Know before you go. And don’t think that taking just a little bit is ok, because it’s not. Many plants have the ability to spread thousands of seeds from one cutting. Plus - by showcasing invasive species in your work, you are creating demand for that look, which could encourage others to harvest them or for local growers to even start growing them.

Just say no to invasives!


Oriental Bittersweet (Celastrus orbiculatus)

Leslie J. Mehrhoff, University of Connecticut, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.

Leslie J. Mehrhoff, University of Connecticut, Bugwood.org
licensed under a Creative Commons Attribution 3.0 License.

The bottom line here is that if you don’t know what you are cutting, don’t cut anything. Know before you go. And don’t think that taking just a little bit is ok, because it’s not. Many plants have the ability to spread thousands of seeds from one cutting. Plus - by showcasing invasive species in your work, you are creating demand for that look, which could encourage others to harvest them or for local growers to even start growing them.

Just say no to invasives!

The Original Floral Decorator

Constance Spry: Her inspiration and Innovation continues

New York Times

New York Times

'Do whatever you please. Follow your own star: be original if you want to be and don't if you don't want to be. Just be natural and gay and light-hearted and pretty and simple and overflowing and general and baroque and bare and austere and stylized and wild and daring and conservative. And learn and learn and learn. Open your mind to every form of beauty.'

—CONSTANCE SPRY

We are sharing this week’s podcast episode as a blog post to highlight the influence of British educator, self-declared floral decorator, and author, Constance Spry. Our guest this week is currently serving as guest curator for a new exhibition celebrating the life of Constance Spry set to open in April at the Garden Museum in London. Join me now for my chat with Royal Florist and previous guest of The Flower Podcast, Shane Connolly, as we take a peak into the brilliance of this legendary floral artist. Shane also shares the influence of Constance Spry on his own designs throughout his floral journey.

We're thrilled to host Shane Connolly again to The Flower Podcast. This week Shane and I chat about the amazing life and influence of Constance Spry. Constance Spry is a pioneer of floral design and her life's work was to coalesce her love of gardening, nature, and her passion for teaching.

Floral pioneer Constance Spry in her drawing room at Winkfield Place in 1952   CREDIT: Alamy/ The Telegraph

Floral pioneer Constance Spry in her drawing room at Winkfield Place in 1952 CREDIT: Alamy/ The Telegraph

The Marriage of Princess Elizabeth and Philip Mountbatten                    Credit: The Halton Royals Collection/ The Telegraph

The Marriage of Princess Elizabeth and Philip Mountbatten Credit: The Halton Royals Collection/ The Telegraph

The Marriage of Nancy Beaton and Hugh Smiley          Credit The Daily Herald Archive/The Telegraph

The Marriage of Nancy Beaton and Hugh Smiley Credit The Daily Herald Archive/The Telegraph

Credit to The Derby Telegraph

Credit to The Derby Telegraph


A few thoughts from Shane

Image courtesy of Shane Connolly

Image courtesy of Shane Connolly

  • Embrace the process of trial and error. Many times we produce our most memorable work by staying the course.

  • Danger…We should never design to be safe but design for what suits your creative explorations and your clients requests.

  • Constance Spry was a true believer that beauty uplifts people. The simple expression of giving flowers is very personal.

  • Sometimes your best actually happens when everything is failing, and you have to go with your instincts. It also builds your confidence in trusting yourself.

  • Constance Spry’s view was that nothing was off limits in design. It was never just about flowers but incorporating fruits, vegetables, foliages, and other items of nature.

  • If you want to be a floral artist, you have to do something unique, something different. You must behave as an artist.

 
 
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Shane spoke of his mantel designs from this year’s Cathedral Antiques Show in Atlanta. Using the art as his inspiration, Shane’s designs, once again reflect his beliefs of incorporating additional natural elements along with foam free mechanics. Also, the simplicity of using a single flower choice and minimal decor pieces can be just as enticing as the bold and brilliance use of color in the third piece.

 
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  • When you are new and adventuring into your own floral journey, it is almost instinctive to want to please everyone. You may find yourself using everything in sight. A wonderful lesson to learn early on…You do not have to! As your floral journey unfolds, you will gain confidence as you progress in your own design style.

  • Designers may worry about what is expected and in the process one ends up doing the same thing. Designs become serviceable not original and beautiful.

Shane Connolly and Emily Thompson

We know this is extremely short notice, but we wanted to mention an online event conversation with Shane Connolly and New York florist, Emily Thompson. The event is hosted by Garden Museum, Feb. 23, 2021 at 6:30pm (GMT). Click here for more information 

If you would like to learn more about Shane Connolly or Emily Thompson, listen now to their floral stories on The Flower Podcast

Shane Connolly, Owner of Shane Connolly and Company, chats with Scott Shepherd this week on The Flower Podcast. He discusses the wedding he designed for the Duke and Duchess of Cambridge, his love for the meaning of flowers, and his passion for creating foam free designs. Shane is a wealth of knowledge and experiences.

This week's guest is Emily Thompson owner of Emily Thompson Flowers is located in New York City. I have followed Emily's creative artful design work for years and her artistic gift for taking the raw beauty in nature and orchestrating a floral masterpiece in any season.

We would like to thank Shane Connolly for giving us a glimpse into the life of this amazing trailblazer and for sharing the personal impact Constance Spry has had on his design and approach to florals and the abundance of beauty in nature. If you have any or know of any items, students, or images concerning Constance Spry please email shane at shane@shaneconnolly.co.uk.